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An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.
- Sales Rank: #289319 in Books
- Published on: 2015-04-28
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.16" w x 6.13" l, .0 pounds
- Binding: Paperback
- 512 pages
From Library Journal
Cardullo (theater and drama, Univ. of Michigan) and Knopf (theater, Connecticut Coll.) have compiled an important anthology of the now-classic drama widely known as avant-garde. The many styles and movements represented here were mined, in the words of Cardullo, to "bring genuine dramatic Expressionism into central focus." Inexplicably, the writings of major avant-garde figures are long out of print or remain untranslated. In addition to the complete text of plays by Antonin Artaud, Gertrude Stein, August Strindberg, and Alfred Jarry, the editors have included such lesser-known but equally influential writers as Roger Virac, Filippo Marinetti, and Aleksandr Vvedensky. While making a case for new inclusions, Cardullo accepts the standard, and most useful, designations for what constitutes a Dada piece vs. an Absurd or Futurist one and uses the terms avant-garde and modernist synonymously. However, a more thorough exploration of the "classic" avant-garde's impact on today's theater would have been a welcome addition to the introductory essay. Indeed, Cardullo makes no effort to mask his disdain for most "performance art," complaining that "the avant-garde can today do little more than impotently express disenchantment with its own ideals." Still, the comprehensive and varied nature of these works and the accompanying illuminating essays will make this a standard text for any serious study of 20th-century drama. Douglas McClemont, New York
Copyright 2001 Reed Business Information, Inc.
From Booklist
Editors Cardullo and Knopf pack this volume with avant-garde writings and plays, from Belgian Nobel laureate Maurice Maeterlinck's 1891 play Interior and 1904 essay "The Modern Drama" to Arthur Adamov's 1949 absurdist play The Invasion and an excerpt from Martin Esslin's groundbreaking 1961 book, The Theater of the Absurd. Between those selections appear August Strindberg's Ghost Sonata, Alfred Jarry's King Ubu, Wassily Kandinsky's The Yellow Sound, Tristan Tzara's The Gass Heart, and many more. Every major experimental movement--symbolism, Italian futurism, German expressionism, dada, surrealism, and theater of the absurd--is represented, and so are some minor ones, such as Jarry's crackpot Pataphysical Theater, which managed to shake things up, if not to endure. Some of the contents, like the Strindberg and Jarry plays, are otherwise widely available, but there is enough hard-to-find stuff here, such as the futurists' daringly short plays and Polish innovator Stanislaw Ignacy Witkiewicz's The Cuttlefish, to make the book worthwhile to any theater collection. Jack Helbig
Copyright � American Library Association. All rights reserved
Review
"[A] fat, info-packed, wide-ranging critical anthology."—American Theatre (American Theatre)
Most helpful customer reviews
7 of 8 people found the following review helpful.
Recommended for college-level collections
By Midwest Book Review
This college-level presentation provides a scholarly critical anthology analyzing the avant-garde from 1890-1950. Writers in all countries who contributed to the avant-garde of theatre and drama provide works and commentary in this collection of the full texts of sixteen selected plays along with essays and history. Recommended for college-level collections with in-depth theatre and art history sections.
1 of 1 people found the following review helpful.
Maybe the best anthology on the Avant Garde ever!
By JTR
A very good anthology written and edited by people who really know their stuff; and with a very good selection from all of the fantasticos from early in the 20th century, including Jarry, Breton and some really crazy Polish guys! It's a long book, 500 pages, but well worth the time, so TAKE your time.
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