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For more than 30 years, the action movie has been the film genre that most represents Hollywood to the world, as action films find blockbuster success at box offices internationally. Still, the genre seldom receives the critical attention it deserves. Studying its trends, key components, and visual excesses, this new and expanded edition of Action Speaks Louder traces the genre's evolution to reveal how it has come to assume its place of prominence in American culture. With scores of in-depth case studies—including films such as Dirty Harry, RoboCop, Die Hard, Lethal Weapon, Armageddon, Spider-Man, War of the Worlds, and The Incredibles—author Eric Lichtenfeld draws on film analysis, production histories, critical responses, studio marketing materials, and original filmmaker interviews. Up-to-date and comprehensive, Action Speaks Louder is the definitive study of the movies’ most kinetic form of fun.
- Sales Rank: #465614 in Books
- Published on: 2007-04-27
- Original language: English
- Number of items: 1
- Dimensions: 6.40" h x 1.00" w x 8.97" l, 1.27 pounds
- Binding: Paperback
- 400 pages
Review
“[A]n intelligent, coherent and frequently illuminating study of a genre that has become firmly entrenched in pop culture.”—Geoffrey Berkshire, Variety
“[A]n intelligent, coherent and frequently illuminating study of a genre that has become firmly entrenched in pop culture…The book encourages the idea that, although some action films may be ‘mindless,’ our reaction to them doesn't have to be.”—Geoffrey Berkshire, Variety
Review
“Eric Lichtenfeld accomplishes the impossible, putting action films under the microscope without robbing them of their ability to startle and amuse us. His marriage of popcorn and the provocative produces what can only be called a roller-coaster read.” (Steven E. de Souza, screenwriter, Die Hard)
“I wish I had read this book before I started making my films.” (Richard Donner, director, Superman: The Movie, the Lethal Weapon films, 16 Blocks)
About the Author
ERIC LICHTENFELD has worked in many areas of the film industry, and his articles have appeared in film publications including The Scenographer, Film Score Monthly, and Trace, the journal of the Art Directors Guild. He has contributed features and commentaries to special edition DVD releases of such films as Predator, Die Hard, and Speed, and has taught film studies at Loyola Marymount University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent movie about the movie industry.
By CRASHLANENews
Mentions some inside points of view about movie making and also the business. The book is also easy to read and comprehend.
8 of 9 people found the following review helpful.
Yippy Ki Yay...!
By A. Marks
Considering how dominant the action film is in American popular culture, it's pretty astounding how little serious scholarship there's been about this important genre, outside of feminist rants (albeit justifiable), or overly intellectualized, post-modern deconstructions written by and for the miniscule audience of academics. ACTION SPEAKS LOUDER is the rare book which is written for the rest of us - for the educated, curious movie-goer who wants to think more seriously about movies we know and might even love.
While he's not above placing films in their historical context, or speculating about their larger meanings and their influences on society, author Lichtenfeld never loses sight of the fact that these movies are commercial enterprises - mass entertainments made within the confines of a commercial marketplace. He explores creative choices made by filmmakers and writers, and the book is peppered with interviews. Aware that form is content, Lichtenfeld delves into the stylistic features of the movies. He also explores how technological advances patently change the nature of these movies.
ACTION SPEAKS LOUDER combines the details fans love (think of a great DVD commentary) with serious scholarship. And best of all, it's highly readable (think extended New Yorker article) - not bogged down by the obfuscating, post-modern jargon that dominates academia. Highly recommended.
1 of 1 people found the following review helpful.
update of comprehensive, insightful, timely study of action films
By Henry Berry
Lichtenfeld has worked both in making films and as a film critic and commentator, including doing extra features for DVDs of several action films. He sees this popular film genre as "derived from the Western, film noir, and the police procedural (with special guest appearances made by the disaster film and others [with an evolution] quite analogous to the horror film." Though many films depict violence and mayhem, the action film is distinguished in that it ushered in a "new violence [which] would be deployed more to pleasure audiences than to jar them." This "new violence" came about from a shift in standards marking a "New Hollywood" and related changes in structures and pacing of films and cinematographic techniques such as lingering on the violence by slow-motion and close-ups. It is these and other elements, not merely the violence and plotting, which account for the new genre of the action film. The cluster of elements reflected changes in the culture's psychic relationship with violence and what it looked for in entertainment. Bonnie and Clyde is pointed to as a seminal action film, with the films Billy Jack, Shaft, and The French Connection closely related to it in paving the way for the action film by demonstrating its popularity and giving guidance for filmmakers. Advertising, publicity, and marketing of action films has as much a part in the author's multifaceted study of this major contemporary film genre as film history, film editing, and cinematography. References to numerous action films over the past couple of decades make for enjoyable as well as engaging and stimulating reading.
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